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The only thing certain about the
four majors this year is that they will
be more hotly contested than ever
as the athletes we see at the top
of the game continue to push the
performance boundaries ever further.
Gi’s editor Richard Simmons
talks to leading European Tour
coach and Sky Sports analyst
Denis Pugh about the changing
face of the modern game
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Gi: Early results this season suggest the majors
this year are going to be impossible to call – how
do you explain the depth in the game?
Denis Pugh: I think the hardest thing when you
watch golf regularly, and certainly when it comes to
analysing the game as a coach, trying to see where
the trends are going, it all seems very much up in
the air right now because in almost every area you
look there are no boundaries.
Take the majors. Not so long ago Tiger set the
boundaries – two majors a year were his. That was
almost a given. Now we simply don’t know. Will he
ever get back to his best? You’d have to assume he
would contend in a major again, given his talent,
but we don’t know for sure. The younger players
coming through are no longer concerned when they
see Tiger’s name on the leaderboard – in fat they
relish the opportunity to beat him. The Robert
Rocks of this world now know they can take him
on – and as Robert did so superbly in Abu Dhabi,
out-play him. If you had dropped in from Planet
Zog you would have assumed Robert was the better
player on the basis of the evidence – he swung the
club better, hit the better shots and scored better.
He out-played Tiger in all three areas. That never
happened in the last group. It’s a testament not
only to the quality of Robert Rock’s golf – and he
has been one of Europe’s most underrated players
for a couple of years now – but all the golfers out
there at the moment who are able to do what
Robert did. And there are a lot of them.
Gi: Do you get a sense that Tiger is finally getting
it all back now – the inspiration he gave to a generation
behind him has produced a legion of
young players who do everything he did?
DP: Yeah, but I think it goes beyond just kids. If you are a professional golfer, at whatever age, if
you are capable of being on tour these days, you
know how good you are. These guys do all the
work – on the range and in the gym, with putting
gurus, on the mental game. From where I’m standing,
if you’re a player who has earned the right to
be out there, and you do all of that work, you are
justified to think you have done enough to win.
Gi: How big a part has technology played in the
ever-increasing number of players who now
seem capable of winning?
DP: I think the physical specimen almost allows the
equipment to change. Tiger has been that influence
in the last 10 years. Before that, in the mid eighties
and early 1990s, Nick Faldo was the biggest influence
on the game because he brought in the widespread
understanding of technique. There have
been great players in every generation, of course,
but to actually influence the way the whole industry
looks is huge, and Faldo was one of the first to
really understand what he was doing with his
swing – before that most played by feel and talent.
Today, the majority of tour players not only understand
what they are doing, thanks to technology
that helps them analyse it, but they have incredible
athletic talent, which is a winning combination.
What Tiger did is take it to another level again,
adding that understanding of technique to what is
literally an Olympic-standard athleticism, which is
why we are increasingly seeing the club being
swung at tremendous speed. And we all know how
far equipment has come, ‘matched’ perfectly to the
increased speed in terms of shaft flex, kick point,
larger sweetspots, longer shafts, bigger heads and
golf balls that match in perfectly – and which
unfortunately only fully reward the guys who are
capable of swinging it at 115mph and more.
Gi: We hear this about the modern ball – what is
the clubhead speed at which the greatest benefits
are experienced?
DP: There is a mathematical equation – and guess
what? I don’t know it! My best guestimate would be
that it starts at around 110mph and performance
really takes off from there and up.
Gi: To put this into perspective, what’s the average
speeds you see with category 1 amateurs?
DP: I would say anything between 95 and 105 mph
would be pretty good consistent swing speeds. 110
mph would be a terrific swing speed. At his best
Tiger was between 120-130mph. Now, on top of
that, there are a lot more players in that bracket.
And the thing is, the guys who can really swing it
fast through the ball get an almost exponential
advantage. It seems a little unreasonable.

Modern Fundamental 1: Strong Left Hand
The modern ‘athletic’ player does not look to
create speed with the
hands in his swing, he
works on the rotation of
the body to create
extreme centrifugal
force to accelerate the
arms. The hands just
hang on, and using a
strong left hand grip presets
the wrist hinge at
the set-up. I am seeing
more and more examples
of the left hand
turned to expose at least
three knuckles. 
Gi: So at the highest level of the game there’s a
gulf that’s been created as a result of technology?
DP: Precisely. When I played tournament golf a
long, long time ago, I was a relatively short hitter, a
drive would fly around 220-230 yards through the
air. The long hitters – the Greg Normans and Ian
Woosnams of the world – would carry it 240-250
through the air. Now, coming up to 60, I can carry
the ball 230-240 through the air, and I ask you, in
what other sport could you be 40 years older and
get better? Technology has changed the game. It’s
made it a lot more enjoyable for a lot of players,
but at the highest level it is stacked in favour of
the guys who can swing it the fastest. And the key
point is this: the short-to-long hitter gap that might
have been 30-40 yards in my time is now 80-100
yards. Guys are carrying it over 320. If you can’t hit
it at least 270 yards these days there is no point
being out there. And so equipment has made the
game easier for the stronger player. So therefore
the stronger player gets stronger and we are seeing
the emphasis on the game change dramatically –
and not for the better, in my opinion.
Gi: So as far as the pro game goes have we seen
the last of the creative artistry in golf, the shotmaking
that defined the Faldo era, built around
control. Is that now consigned to history.
DP: Unless there is a serious rethink in the rules governing
equipment, yes. In those days – and it really
wasn’t that long ago – the ball would spin a lot more,
the trajectory had to be controlled. Faldo’s way of
playing was a much more complete way of playing
the game, and more fun in many ways both to play
and to watch. But you’re right, in many respects it’s a
chapter in golf’s history. The game is lightyears on.

Modern Fundamental 2: Distinct Spine Angle

A hint of knee flex provides the stability in a set-up
position geared towards a compact swing governed by
the rotation of the torso. Majority of athletic players
are one-plane – i.e the left arm is seen to tie in with
the right shoulder (natural rotation of the upper body
explains that)

The once relied on
checkpoint of running
a line up through the
ball of the right foot,
through the knee and
right shoulder to check
for good posture is not
one that applies today.
Players are looking to
engage their body‘core’, and do so with
a more defined angle
at the hips, which gets
the chest more over
the ball at set up

Gi: And yet for the majority of players the sort of
natural swing Faldo developed is more applicable
as a coaching model?
DP: No doubt, most golfers are not going to come
close to the speeds that are required to play properly
with the modern equipment. And here’s the
quandary we are in. As the equipment is now made
stronger for the stronger players, youngsters are in
the gym trying to get themselves into shape to use
it. It’s self perpetuating. This is where the game is
going now – you drive it as far as you can because
wherever it lands you are better off with a wedge
or a 9-iron out of thickish rough than a 7-iron from
the fairway. Mishits are not going off line as much,
the balls are not designed to spin as much, and so
standing there and thumping it does not produce
the crooked shots the way it used to.
Gi: Have you seen any evidence that this fixation
with distance, the players working so hard on
driver swing that is detrimental to the way they swing the club with the irons?
DP: Not detrimental in the sense that the technique
they use, their ‘power swing’, can be adapted down
to the wedges – and four wedges in the bag is the
norm now, so there’s even less skill needed there,
too! All the skill factors that we traditionally equated
with the game have been whittled away so we
are left with how far can you hit the ball, how well
can you putt, and, when you miss a green, can you
get out your lob wedge and splash it close out of
long grass. That’s the modern game. Is it the game
we would prefer? Probably not, but it doesn’t matter
what I think or even what the majority of
golfers seem to think. It’s the modern game.
Every day I see stronger, longer, fitter, technically
better players coming through. The technique is now
geared around an ‘athletic body’. The dominance of
‘springiness’, utilising fast-twitch muscles instead of
bulk. It’s changing. As long as you can power it a
long way and use a wedge, you’re OK. And the key
thing now is that, if you can’t putt, you can find a
way of getting the ball in the hole – belly-putter, long
putter, a weird grip. Every aspect of the game that
was difficult has been made easier – as long as you
have speed and power, you can compete.
Gi: All of which adds up to a game in which we
see greater percentage of players who can win?
DP: In a field of 140, it’s really no stretch to say that
there are 140 guys who can potentially win. Is it
great? For the guys on tour, yes. It’s also exciting to
watch the finishes, as we’ve seen recently in Abu
Dhabi and Dubai. But we don’t have the tradition so
much now where one player is going to be that dominant
– I don’t think we will see the situation as we
did with Tiger where one player is in command. He
was a one off and he caught everyone by surprise.
But there’s no doubt that the true artistry of the
game that someone of my generation would regard
as being what separates players has all but gone.
And the shame of it all when you look at what
is happening to golf courses today is that classic
challenges are being disfigured to accommodate
technology. Take a hole like the 7th at
Augusta, which was designed as a terrific
short par-four, but is now somewhere near
460 yards to a green that was originally built to
receive a short iron. This is where the game has
been made to look silly – and it’s all down to the
technology that is driving it.

Modern Fundamental 3: Width Away from the Ball

With the strong grip,
modern players are
making a wide move
away from the ball,
wrist action kept to a
minimum.

Gi: You watched Tiger in Abu Dhabi, where does
he stand now in the game?
DP: Tiger has an interesting mix of swing backgrounds.
In his early days with Butch, he had a
swing that was pure brute force and power. Butch
made sure it was controlled power. Taking spin off
the wedges was probably the single biggest thing
they did together. Butch is a great coach. Then he
goes to Hank Haney – another great coach – and he
wants to win majors swinging it like Ben Hogan, so
they swing in a shape that was totally contrary to
the way he did with Butch, good or bad. Then he
comes to Sean Foley, the modern genius coach, he
understands the golf swing. And what he is trying
to do is get Tiger to understand not only the shape
of the swing that he makes but the shape of the
shots he can hit with that swing. And what I think
has got Tiger’s enthusiasm back for the game is
that he really is beginning to see results. I watched
him on the range and he certainly he appears to
have all the shots on tap. But then, inexplicably, he
loses it. The interesting thing is, he won’t keep losing
it, and when he has that full selection of shots
and his full power – we will see Tiger back again.
But regardless of what Tiger does, the fact is the
standard across the whole field has got so much
better. In his absence there was always this talk of
what having Tiger back in the field would do in
terms of heaping pressure on the guys looking to
win, that it would jolt everyone – bit it didn’t. What
Robert Rock did was great for Robert Rock but
even better for all of the other guys on tour with
dreams of winning big tournaments. Robert is one
of the best players with one of the best swings on
tour but he isn’t a Rory McIlroy or a Jason Day, one
of the players we talk about as being favourites in
a major. But the message was clear: if you ain’t up
to your game, Tiger, you’re going down. That never
happened before. As soon as Tiger appeared on the
tee in his red shirt on Sunday, it was a formality.
Gi: Who are the men most likely to feature in the
majors this year?
DP: You’d have to start with Rory. There’s no doubt
he can stay with Tiger and when he’s on song he
has that extra gear to burst away from the field, as
he proved at the US Open last year. We’ve mentioned
Jason Day and of course Adam Scott would
have to be in anyone’s list of potential major winners,
along with Lee Westwood. If I have to name
names I’ll go for the three players I coach, obviously,
(the Molinari brothers and Ross Fisher) plus
Luke Donald and McIlroy.
Gi: In a sense the world No. 1 defies the convention
you have described - bombing it?
DP: On the one hand, yes. But on the other hand I’d say
Luke Donald is exactly the modern player. He is getting
the maximum out of his equipment, for his physique,
so he’s a bomber in terms of the gear – everyone thinks
Luke is a short hitter who hits it accurate, but he’s actually
average to long and he hits it off line. Then he gets
it near the green and kills you with his wedges. It’s not
just that he is a great putter, he is perhaps the best
wedge player in the game. The No. 1 player in the
world exemplifies how the game is right now – he hits
it further than he ever would with the old equipment
and he’s one of the best in the
world near the green.

Modern Fundamental 4:
Leverage in
Compact Backswing

With leverage
built in to the
wrists, the full
turn completes
the backswing

Gi: In terms of technique,
what are the modern conventions
that you see on tour
now, the things these players
are working on.
DP: The traditional technique
that we respected – the old
textbook, if you like – is now
very much up in the air [see
how I keep on linking this to
your headline?!] And I think
there have been five major
changes. The first one has to
be the grip. The majority of
players today use a noticeably
stronger left hand grip.
Traditionally, every instruction
book stated that ‘good golf begins with a good
grip’ and then went on to explain how you should
hold the club. But the astonishing thing these days
is that the grips I see on tour look home-made, and
they look home-made strong.
The players appear to hold it more in the fingers
and they have the top hand wrapped over more,
the right hand underneath so that the finger nails
on the middle two fingers on the right hand are
visible to the player.
In times gone by you would just have looked for
the ‘V’ and the fleshy part of the right hand. Today
the V is towards the tip of the right shoulder and
even outside. And it’s morphed this way because
young athletic players do not create speed with the
hands as much as they do with the rotation of their
body. Traditionally (at least from the 1980s and
early 90s), we would see more forearm rotation
and wrist hinge in the backswing, leading to a
‘cupped’ or relatively straight position of the left
wrist; today’s neutral is straight or bowed. And the
reason for this is there is no real forearm rotation
through the ball to square up the clubface. The
body rotation takes care of everything, and the
hands are holding on, shut to square at the top,
then holding on through the downswing to prevent
the toe of the club turning over the heel.
Gi: So that we are clear, this is instruction that is
aimed at young players with athleticism?
DP: This instruction is purely what I am seeing on
tour – it is not necessarily what is good for the club
golfer. In fact, I would strongly recommend anyone
who is interested in what I am describing to go and
talk to their PGA pro to identify exactly where you
are on the scale, if you like. I’ve seen a lot of amateur
golfers who have strengthened their grip as a
result of watching the pros on TV, and struggled, as
they have not fully understood the reasons behind
it. I actually think using the wrists and forearms is
the way forward for the majority of club players
who simply don’t have the same athleticism and
speed potential with the body action (few do!). The
problem is that amateurs like to copy what the tour
players do – and most are not equipped to do so.
Gi: The next new convention you have identified
is the posture – what’s the trend here?
DP: What I see happening now is there is little less
flexing of the knees (still noticeable, though – and
you do need that flex for stability) and more of a
tilt forward from the hip bones. As a result the
chest is hanging out more over the toe-lines. I’m
finding this more and more prevalent on tour. The
old checkpoint – i.e. running a line up from the ball
of the right foot, knee and right shoulder – doesn’t
apply anymore. Now that right shoulder is forward,
which makes it easier to engage with the ‘core’
muscles in the abdomen that are now so vital to
generating rotational speed. There is no doubt this
is the position of today.
Gi: And following directly from that posture –
and with the leverage offered by that strong
grip – is the wide move away from the ball?
DP. Precisely. After the basics of grip and posture,
the fundamental movement that I’m seeing now is
this wide takeaway. Look at the face-on images (on
the previous page) and you see the left arm and the
right shoulder are ‘joining up’ more as the club is
moved away – the plane is to go from the left arm
through the right shoulder. There is a lot of discussion
about one-plane and two-plane, but I’d say
that most modern players are one-plane at the top
of the backswing. Rotation explains that. With the
emphasis on rotation of the core, the swing is flatter
and the wrists are not hingeing the club up to a
second plane as noticeably they once did.
Ultimately, what we are talking about here is ‘leverage’.
The players I am seeing on a daily basis are
making this wide movement away from the ball with
their ‘levers’ (arms and body), with a delayed wrist
hinge and a delayed turn. In other words, their arm
swing leads them into the backswing – there’s a
resistance with the body before the full rotation of
the torso then kicks in to complete the backswing.
This is something I am seeing a lot of – the hinging is
delayed, the movement in the lower body is delayed.
Gi: For a good player who doesn’t have that same
athletic ability, there’s no real harm in having
that early wrist hinge as long as they do not
‘early turn’?
DP: No, exactly right. Let me stress again: the interpretation
of golf technique is up in the air purely as
a result of what we are seeing on tour. If you are
someone who goes to the gym and does a modern
work-out, this is probably the way you want to
swing the golf club. The guys who are working on
the new fundamentals I am talking about are the
guys who are at the same time training their bodies
to be stronger and more flexible. At the top of the
backswing we are seeing shorter and more compact
positions – short of parallel, the wrist action is
delayed and the full hingeing only occurs as the
momentum of the clubhead pulls on the hands what
is actually the change of direction. I’m posing the
backswing position with a mid iron in the photo on
the previous page, but this could easily be the top of
backswing for a modern player using a driver. From
the takeaway to the top, it’s all about leverage.

Modern Fundamental 5: ‘Body-Spring’ Generates Power

Gi: The leverage is controlled by the body?
DP: Yes, it’s a combination of body and arms, with the wrist action delayed in the backswing and
then ‘held’ through the ball. In this sequence of
images (above)) I am illustrating the ‘connection’
between the upper centre and lower centre of the
body in the rotation. (1) Using a cane to illustrate,
this starting position sees a vertical line run
through the groin/ belt buckle up to the middle
of the chest. That vertical relationship is set at
address, and then, as I turn into the backswing (2)
that line is maintained – what the guys today
called a ‘centred turn’. The feeling is that you turn
more within a barrel. What I’m noticing is there is
less resistance in the right knee and thigh – more
a straightening of the right hip and thigh as the
upper body rotates in the backswing. Leverage is
built in to the first (wide) move away from the
ball, and the final turn to the top of the backswing
is very late.
Now, the most dynamic move in golf is from (2)
to (3) in this sequence (I appreciate it may not
appear that way as I am demonstrating it, but trust
me on this!). There’s even new terminology here:
we talk today about a downspring; there’s a fairly
empty coil in the backswing, just to get into a position
where you can fire the spring, the core area in
the downspring. This works from the ground up,
through the feet and knees, which keeps the upper
centre back for a split second to create this slight
diagonal position (3). [The weakness of these static
photos is that you are seeing a coach demonstrate
positions but not the athleticism – regular Sky
Sports viewers will have noticed I’m not the most
athletic swinging on the Shot Centre!] That is the
body-spring that fires everything forward.
What happens now is the players then recover
from the diagonal position into the vertical. A balanced
vertical finish.
In summary, the four frames above show: (1)
upper and lower centre vertical; (2) the undynamic
winding of the body, (3) a very dynamic move – the
spring – and (4) the spine relaxed again in a vertical
finish, easing the back.
Centred to diagonal to centred again is the modern
body action, featuring the downspring while
the hands hold onto the grip.
Of course, the goal of every swing is to return
you to a great position at impact and over the
years numerous different methods have been
explored to do this repetitively. The body athletic
swing that I’m seeing is one that is exclusive to the
young fit, athletic and flexible players who work in
the gym almost as hard as they do on the range.
Built around leverage and balance, the explosive
players in the game today – even the guys with limited
hip turn going back – have a massive downspring.
Watch Dustin Johnson, Gary Woodland,
Charl Schwartzel – it’s impossible to convey the
violence of the movement through the ball. These
are the things that I am seeing in the game today –
new fundamentals, more powerful than ever
before, maximising the performance of the new
technology that is driving the game of golf.
Reproduced with kind permission of Golf International Magazine

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